苏格兰当代最伟大的作家、画家、书籍装帧家。曾就读于格拉斯哥艺术学院，并留校任教，后从事绘画和独立文学创作。他的文学作品常融合现实主义、奇幻与科幻题材，善用轻松俏皮的幽默文字言说最深沉严肃的话题，配以巧妙的排版与亲自创作的插画，具有强大的艺术表现力，能轻松左右读者的情绪。耗时三十年写作的长篇小说《拉纳克》被《卫报》称为“20世纪小说的里程碑”，入选其评选的“最伟大的一百部小说”；另一部代表作《可怜的东西》获得1992年惠特布莱特奖和《卫报》小说奖。除此之外，格雷还著有多部戏剧、诗歌集和学术论著。格雷还为包括希尔黑德地铁站在内的多处市政建筑绘制了壁画。

苏格兰当代最伟大的作家、画家、书籍装帧家。曾就读于格拉斯哥艺术学院，并留校任教，后从事绘画和独立文学创作。他的文学作品常融合现实主义、奇幻与科幻题材，善用轻松俏皮的幽默文字言说最深沉严肃的话题，配以巧妙的排版与亲自创作的插画，具有强大的艺术表现力，能轻松左右读者的情绪。耗时三十年写作的长篇小说《拉纳克》被《卫报》称为“20世纪小说的里程碑”，入选其评选的“最伟大的一百部小说”；另一部代表作《可怜的东西》获得1992年惠特布莱特奖和《卫报》小说奖。除此之外，格雷还著有多部戏剧、诗歌集和学术论著。格雷还为包括希尔黑德地铁站在内的多处市政建筑绘制了壁画。

From the original Diana of the 1960s to today's Diana+ and DianaF+, these plastic, simple medium format cameras have inspired a global community of fans with their old-school and lo-fi images. This book features interviews with Diana Masters, stunning images from Diana photographers worldwide, and five fictional "Diana vignettes" - detailing the adventures of an antique shop sp...(展开全部)

Recovering from the brink of death after venting her frustrations about an unjust world, a ninety-two-year-old woman recounts three stages of her painful life.

吉安娜·马里诺（Gianna Marino）童书作家，画家，艺术家。生于美国旧金山，小时候经常骑马穿越金山公园，高中毕业后，她的旅行探险范围扩展到家乡之外。为了支付旅行费用，吉安娜同时兼职学做壁饰、珠宝设计、产品设计等。她在世界各个大陆旅行，走过许多地方，从非洲、亚洲，到南太平洋和欧洲，她还会驾着帆船在海上航行。在工作的地方和学校，大家称她为“回飞棒”。 在做过几年儿童玩具设计之后，吉安娜开始画画、写故事、写文章。她的儿童书作品有，《Zoopa: An Animal Alphabet 》 (2005)、《One Too Many》(2010)、《Meet Me at the Moon》(2012)和《会长高的房子》（2012）。 尽管还是会去世界各地旅行，但她现在常住加州北部，全职写作和画插画。

“A fascinating mixture of traditional psychoanalytic thinking with clinical strategies that even today would be considered creative and controversial, The Fifty-Minute Hour has never failed to capture the imagination. . . . No student’s education in psychotherapy is complete without reading this book. Decades after its original publication, it still stands as a pioneering landm...(展开全部)

“A fascinating mixture of traditional psychoanalytic thinking with clinical strategies that even today would be considered creative and controversial, The Fifty-Minute Hour has never failed to capture the imagination. . . . No student’s education in psychotherapy is complete without reading this book. Decades after its original publication, it still stands as a pioneering landm...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)

"Did Mama sing every day?" Caleb asks his sister Anna. "Every-single-day," she answers. "Papa sang, too." Their mother died the day after Caleb was born. Their house on the prairie is quiet now, and Papa doesn't sing anymore. Then Papa puts an ad in the paper, asking for a wife, and he receives a letter from one Sarah Elisabeth Wheaton, of Maine. Papa, Anna, and Caleb write bac...(展开全部)